€1.475,00
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Valerio Adami (b. 1935)

Paysage de Ruines

Screenprint in colors, 1970s–80s

Limited Edition: 24/100

Signed and numbered in pencil by the artist.

Dimensions:

Image size (including signature): H 59 cm × W 76.5 cm
In inches: H 23.2 in × W 30.1 in

A striking and rare limited edition screen print by the celebrated Italian artist Valerio Adami, titled Paysage de Ruines. Executed in his unmistakable style, the work features bold black contours enclosing vibrant blocks of color, creating a dramatic composition that balances figuration with abstraction.

This print is hand-signed and numbered 24/100 in pencil by the artist, underscoring its exclusivity and collectible value.

About the Artist

Valerio Adami (b. 1935, Bologna) is one of Italy’s most important postwar painters and printmakers. A student of Felice Carena and influenced early on by Léger, Adami developed his signature style in the 1960s: a fusion of Pop Art color fields, comic strip outlines, and complex allegorical themes. His works often explore cultural memory, history, literature, and philosophy.

Adami’s works are held in major museum collections worldwide, including the Tate Modern (London), the Centre Pompidou (Paris), and the Museo Nacional Centro de Arte Reina Sofía (Madrid). His prints and paintings have been widely exhibited and remain highly sought after by collectors of European modernism.

This limited edition print encapsulates Adami’s unique ability to merge narrative depth with striking graphic clarity—an exceptional acquisition for discerning collectors.

We ship worldwide. The print with frame will be shipped insured in a custom made wooden case. Cost of insured transport to the US is Euro 425. If shipped insured without the frame, the cost will be Euro 275,00.

There should not be any import duty importing Art into the US but please do check/

Pick-up by appointment only.

We are a 1stDibs Platinum 5 Star Dealer.

Wear consistent with age and use.

Colors may slightly vary due to photographic lighting sources or your monitor settings.

Valerio Adami (born 17 March 1935) is an Italian painter. Educated at the Accademia di Brera in Milan, he has since worked in both London and Paris. His art is influenced by Pop Art. Adami was born in Bologna. In 1945, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan. In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French Cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965). In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Giancarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Gallerie Maeght}. In 1975, the philosopher Jacques Derrida devoted a long essay, "+R: Into the Bargain", to Adami's work, using an exhibition of Adami's drawings as a pretext to discuss the function of "the letter and the proper name in painting", with reference to "narration, technical reproduction, ideology, the phoneme, the biographeme, and politics". There were four retrospective exhibits of Adami's work between 1985 and 1998. They were held in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires. In 2010, the Boca Raton Museum of Art devoted a special exhibit to Adami's paintings and drawings.

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